Showing posts with label Colleen Smith-Dennis. Show all posts
Showing posts with label Colleen Smith-Dennis. Show all posts

Saturday, November 12, 2016

Morning coffee: and stories we cannot write or tell?


 


On a recent Saturday, after thinking about it for some time, I finally had ‘morning coffee’ with writers – three children’s writers, one adult and one poet, a male. The first time we have had a male for any meeting here. (And my husband joined us because he knows the poet, and actually seemed to enjoy our literary conversation)   We were supposed to be looking at the usual, the viability of children’s writing, marketing and other miseries. However, as we always do, we wondered off agenda to things of general interest, bearing in mind that anything we actually mention can be considered fuel for creativity. And this time, here with us  was a writer writing in another genre. Our poet wondered if any of us had ever considered writing poetry. It turned out two of us had. I have known him from he was a young poet of 19 or so, impressing us with his poems at the gate at the bottom of a hill on which his cousin, my friend, lived. I think she and I were about 14.  How far we have all come. Bona fide writers.

We talked; our poet was astonished as we addressed the matter of gatekeepers in the world  of children’s books, no violence, nor reality as faced regularly by sectors of this society, etc. So he said, (paraphrased of course) ‘You people can’t express your creativity fully; you have to be aware of what teachers, schools, the ministry will say? Silence for a moment as we considered this. (I think personally that we are so aware of this that it may be second nature to us now, or it will be to our editors.) We all talked at once. My friend, also one of my editors, told him of a story I wrote which one teacher said he didn’t like  because the child was rude (she was inclined to have an opinion about things and children who answer back or have opinions are not role models, in his opinion). My friend also indicated a series of YA books where there was a bit of the supernatural, and some parents in another territory found that objectionable as Christians. Well, we know that there was objection to Harry Potter for a similar reason, and if I think far back enough, I come up with one of my favourite books, Are you there God? It’s Me, Margaret by Judy Blume. I recall being astounded that in the early 80s there was a problem with this book in the USA because the characters discussed unmentionable female body functions, and I think it would also fall into the ‘opinionated’ children category.

I cast about for examples of real life which have made it into print for our region. I mentioned Bad Girls in School, by Gwyneth Harold (Harcourt Education, 2007) which I knew was used  in some schools. I also  mentioned Inner City Girl  by Colleen Smith-Dennis (LMH, 2009, and third place Burt Caribbean Award winner, 2014,) as one which certainly dealt with the realities of  life, the other side of Jamaica, far away from middle class norms and niceties.   I also told our group of  a visit two of us made to read at  a library  in a rural town. We read! The children then, with great pride, read a story they had written for us. It focused on a young man who was stealing goats in a  village.  The villagers caught him and chopped him with their machetes (true to life) and he was put into hospital where he could at length consider his evil ways. The children may write it, but we can’t.

So after our little ‘coffee morning’, I gave this further thought. And sometimes when you give further thought, you attract things to you. So I was sitting in an establishment, and one of the young ladies started telling us about her life. It was hard, unbelievably hard. I’m sure my eyes opened wide; I’m sure my mouth fell open. I know I kept saying, “Oh, Oh”. It was not that I hadn’t heard that story, or a version of it, before. It was that I knew her, and had no idea that she had had such a hard life, that indeed she was the heroine of her own life, as I told her. And that sounded so hollow in the face of the obstacles she had overcome, just to become a ‘normal person’.

I wondered if I could write her story, do it justice. I even considered coming straight home and writing down the main points before I forgot them. However, I don’t think the gatekeepers would pass it, too sad, too hard, to really true to the  life of some.  I wondered if  any of us could write it. Then I remembered Dew Angels by Melanie Schwapp, (HopeRoad Publishing, 2013). Dew Angels is a well written book, story harrowing and ringing true, and you feel you need to see how it works out. I think that Melanie  or Gwyneth could have  done  justice to my ‘real-life storyteller’. But the question is, could I write my storyteller’s story? Honestly, I don’t know. There’s so much to overcome,  even if it culminates in success. There’s so much  emotion.  So maybe it’s not only about the gatekeepers, when all is said and done.

Tuesday, March 25, 2014

On being shortlisted for a major award and other revelations


 

How does it feel to be shortlisted for the inaugural Burt Award for Young Adult (YA) Literature for Island Princess in Brooklyn? It feels sort of wonderful! Even though we know that  Island Princess in Brooklyn will go no further than the shortlist, (because those to read at Bocas have appeared on their programme posted on their website), I still feel sort of wonderful. It is an honour to be shortlisted and the others with me are talented writers.  For those who do not know, the Burt Award for the Caribbean has been established by CODE, a Canadian charitable organization involved in advancing literacy and learning for 55 years, in collaboration with William Burt and the Literary Prizes Foundation. The idea is to address  the need for young adult material in the Caribbean, and consequently, to encourage the writing of it. The prize is being administered by the Bocas Lit Fest, Trinidad and Tobago, and the prizes (these are 1st, 2nd and 3rd) will be announced at the Bocas Lit Fest in April.

There are 3 Jamaicans on the shortlist, which of itself is sort of wonderful for YA material. We, including myself, will have to stop saying that Jamaicans  don’t read, because it is clear that we do write, so it follows . . . The thing is, it holds great promise for the future.

The other Jamaicans  are A-dZiko Gegele for All Over Again (Blouse and Skirt Books – a new, young publisher, Tanya Batson-Savage, so congrats to them both). I love A-dZiko’s lyrical style; and Inner City Girl by Colleen Smith-Dennis (LMH Publishing), and I have always liked this book, as you know (see post of Dec, 12, 2010 - you can click on the image to the right of this post ). Others shortlisted are: Barrel Girl by Glynis Guevara, Trinidad and Tobago (manuscript), Musical Youth by Joanne Hillhouse, Antigua and Barbuda (manuscript) and Abraham’s  Treasure by Joanne Skerrett, Dominica (Papillotte Press). I’m so delighted for us in the Caribbean that this award now exists and thankful to those who have brought it into being.


To foster interest in YA material, CODE had decided to do workshops on the writing of it,  and these were held this month. Richard Scrimger, a Canadian award winning writer, and I were the facilitators for Jamaica, and Richard and Paloma Mohammed for the Guyana leg. We hope that these will result in even more entries for the next judging period. Exciting prospect! When I was  facilitating that workshop I had no idea that I’d be shortlisted. So it was more so of a revelation. I had forgotten that workshops may also stimulate the facilitators to write. So that's a lovely bonus. In addition, things come to the fore to do with your writing which you may not have recognized, or allowed yourself to realize. Therefore I'll have to write a future blog on what I learned from doing that workshop.

When I wrote my children’s picture book, Cordelia Finds Fame and Fortune, my message, one might say, was fame and fortune can be found at home. There is no need to migrate. The old lady in that story tells Cordelia that she has been all over the world but has not found it. They discover together that it is right here in Jamaica. That book was inspired by my younger daughter, who like Cordelia, stands out as being different. I did not know that until someone brought it to my attention. So that was a revelation!

Island Princess in Brooklyn was inspired by my older daughter’s experience in her short sojourn with her family in the USA. So by then I must have understood  the intertwining of emotion and family with my writing. As I said in my blog for Brown Bookshelf, “This circle of family, of story, fills me with wonder.” ( http://thebrownbookshelf.com/2014/02/19/day-19-diane-brown/ ). However another  revelation,   it seems is that, yes, I can now face up to the fact that it’s not only all right to migrate, it may be essential for some. Elementary, you say; after all,  all island people migrate. Yes, indeed,  but it is not necessarily emotionally accepted deep in one’s heart.

Urban legend  has it that as many Jamaicans live outside Jamaica as live here.

 When Princess meets the old man on the subway with the 'Jamerican'  accent, she begins to think she might be okay.  He is one of us. All the migrations of my extended family before I was born, and my immediate and extended family in the seventies,  did not truly  meld those away with those here. But Princess McQueen did it. She said, ‘We are the same. Our stories are your stories and they deserve also to be told’. Perhaps, just as Princess, who resists the idea that she should need to leave her beloved Jamaica, comes to accept that  both countries can be in her heart, so too, I have accepted this concept, and that only occurred to me recently. The stories of Jamaicans abroad are part of the stories of home. What a revelation!