On Tuesday , February 10, 2015, the Lignum Vitae Awards were
launched under the auspices of the Jamaican Writers Society (JaWS) and the
Jamaican Copyright Licensing Agency (JACOMPY). The awards are named for outstanding Jamaican authors. The Lignum
Vitae tree is indigenous to Jamaica and can be seen all over the island.
The Una Marson Award
for adult creative writing and
the Vic Reid for children’s were instituted and previously managed by the
National Book Development Council of Jamaica.
The Vic Reid will now be for young adult literature and the Jean
D’Costa Award has been added for
children’s. It was a well executed event.
I felt elated, as if we had achieved something, and indeed we have. The
prize money, courtesy of JAMCOPY, is significant, as if we are really giving a
writing prize worthy of writing prizes. It was also heartwarming (trite but
true) to see the librarians and other persons who were involved with the
National Book Development Council of Jamaica, who first administered the
awards, and the young persons who are now carrying this on. Passing of the
mantle, another trite but true expression. And even though some of the older ones
are still involved, ready and willing to assist, it is great to see this
transition. The president of JaWS, Tanya Batson-Savage, did us proud in her address and comments. Literature as identity creation! I
think we are to be delighted when we see that the things we really care about
are in good and passionate hands.
Velma Pollard, well know Jamaican writer of poetry and
prose, the guest speaker, spoke to the contribution of the writer to society:
to heal, inspire and defend our values (taken from the words of a journalist,
she told us), to hold a mirror up to nature (Shakespeare); the writer is a voice . . .a meaningful silent narrative
(the words of which) break into our silent spaces and may even cause us to act.
Loved that ‘break into our silent spaces’.
I love to find meaning in things, events, occasions,
activities, perhaps because there is always meaning, for you, for me, and we
may all discover different meanings, as we are at different points on our
various journeys. So I took with me the meaning of transition, of things of
value to me, of things I cared about passionately, being protected by those
coming after, with equal passion.
There is also one important thing about living in small
places, and that is, that our great people can be known to you, have touched
your life, have guided your way. It makes
all events doubly significant.
Vic Reid: (His son was at the launch, which I think was
lovely). I think that Vic Reid was the first Jamaican writer who made me aware
that books for older children, as
opposed to folktales and picture storybooks for younger children, were being
written by a Jamaican. I think I was young. I’m not saying that there weren’t
others; I’m just saying that was the emotional tie for me. I also like that he
wrote historical fiction. I love reading about how real events may have
affected ordinary people. What better way to understand history. Hence my own time
travel adventures to real events in our history.
Una Marson: I tell a true story of a steamer trunk of books
in the house in which I lived as a child. Amongst them was a book written by a
woman, a Jamaican woman, with her picture in the front. That’s when I
discovered that black people wrote books. I’m not saying that that is how my
childlike mind actually analysed it, but I know that I was astonished and
fascinated. If she could do it, then so could I. I think that was Una Marson. I do not know why I think so. Then wonderful connection! My grandmother
acted in a play called London Calling at the Ward Theatre, written by Una
Marson. I wasn’t around then, but I found the playbill amongst my grandmother’s
things. It feels as if my grandmother was part of our creative history, as if
we were there in the beginning, and so the creativity was passed on.
Jean D’Costa: Yes, I know her, and she actually was our
guest speaker when we were trying to revive the Children’s Writers Circle a few
years ago. I like her writer’s voice. It speaks to me. My favourite book of
hers is Voice in the Wind, which regretfully is out of print. It is one of my
favourite children’s books by a Caribbean or any other author. I think of this book as a quiet book which
‘may break into my silent spaces’, as I snuggle in bed under a comforter (it is
rather cool here now, and it is quite often cool when it rains). It has a
mystery, a bit of the unexplained. It is not the magical realism of
our cultural paranormal, duppy stories or mystic religion. It is rather that
which we share as all human beings, the unexplained.
And what is the point of this post, once I told you about
the awards, you might ask. I think that:
1)
it is the continuity from generation to generation,
because without that the cultural thread
is broken;
2)
it is the making of meaning; what we take away
from any event or book which we recognize as a part of our lives or the lives
of our ancestors, and which so emboldens us, that it keeps us writing for the
next generation.
It is of note that the Lignum Vitae means ‘wood of life’.
Thank you for this post, Diane. I think we need to have clarified what we mean by the young adult category. Some authors and publishers consider it to be for 12-15 year-olds, while others use the term to describe books for older teens. Personally, I think there needs to be a category for 12-15 year-olds, but young adult is a confusing name for it. Strictly speaking an adult is someone over 17, so young adults would be 18-25. Do they need to be in a special category? By the time children reach the age of 16, they are reading adult literature.
ReplyDeleteUseful, interesting post Diane, I hope there are many writers in the wings eager to make use of this opportunity to become known. A question- is it for fiction only?
ReplyDeleteHelen, I would like to see more discussion on this YA age division. Some include it in the broad definition of Children's Literature, but i take your point about differences in age groups within the 12 to 18,16-25, 14 up all of which I have seen as definitions.
Gets confusing at a reading advertised for children when the book is for the YA Years and very young children turn up.
I guess it will be sorted out eventually.