Is there a child in the western English speaking world that
did not love Nancy Drew? I read those
books, you read those books, no doubt. My
children read Nancy Drew. I checked Amazon, and while there was evidence of new
modern packaging, Nancy Drew books are still available, hardcover copies with
the same covers I remember. A success story of no mean order.
I was in a meeting recently where I said that there was this new genre of YA. I was told
that we always had it in the form of Nancy Drew and the Hardy Boys. Of course, I was thinking of the more adult Twilight
Series, Hunger Games, Divergent, enjoyed both by adolescents and adults alike.
We could debate whether Nancy Drew qualifies as young adult, and it probably
does, based on its teenage heroine, even
if we place it at the younger end of the spectrum.
The other day I went into a bookstore and came upon a little
girl and her Mum. This little girl was bright, as was her Mum. I know this because
the little girl was looking at books and could even advise me on what was
really cool. I knew her Mum was bright because
she gave her child time to look at the books
- no big 'rush-rush' to get out of the store. The little girl went into
raptures when she saw the piles of Nancy Drew books. She sounded like me when I
was young. There was a discussion
between the little girl and her Mum as to which she had, and which she could
get on whatever next occasion, birthday, etc.
So I asked, "How old are you?" She was 8. I was very impressed. I don't think
I read Nancy Drew at 8. However, perhaps
I was more like 10. I shared my love of books with her and the fact that I asked for books, not only for birthdays, but
for Christmas also. Love of books reigned!
After the little girl had moved on I opened one of the
books, and was struck by the very first sentence in which we were introduced instantly
to Nancy's blue eyes and blonde hair. I shared this with the shop assistant who
was standing by. I said, "I have a problem with this. We don't look like
this." (It would be of note that perhaps
this might also apply to many other little girls in the world. I remember an
interview with a little American girl saying how happy she was to see the animated movie Pocahontas
as she too had dark hair - not blonde.) Back to the shop assistant, who brought
another book which started differently, and asked if I had a problem with that
one. I grinned. Clever girl. Her expression suggested, ' I'm not sure why this
lady is bent all out of shape over this, but let me see if I can help her'.
Later I checked a Nancy Drew book site and found
that the reading level of some is indicated as 8. I also noted something else -
price. If you want a whole heap of Nancy Drew books for much less than the US$
selling price indicated on the book, and much less than the price on Amazon,
just go to one of our bookstores. However,
these are remainders, hence their low cost.
No, I'm not against Nancy Drew; I'm not even against remaindered
books, although I know that their very cheap price makes the sale of Caribbean children's books
even more challenging. However, the upside of that is that more children get a chance
to buy books. Nonetheless, I am for more
diverse books, and especially for our books. Interestingly enough, we have been
saying that it's the parents who are leading the children to buy books like Nancy Drew, books that these parents
liked and read when they were young. However, this little girl in the bookshop
loved them; even if her parent suggested them originally, she loves them.
How do we compete with this? Can we compete with this? Certainly
we can't in relation to price. So what I'm really asking is how do we attempt
to place local books in that slot? It's not just a demographic slot; it's also
a type of book; not just a chapter book, but an adventure/mystery type of book.
It's one thing to write a
mystery/adventure that is set in a big country where a location or happening
does not reflect any particular reality; it's another thing to do so in small
island states/territories with small known populations, where a setting and a
situation comes with a known reality. For example, any mystery involving wrong
doing might well lead back to real dangers like smuggling of drugs (the challenge of
island states in this region used as transshipment areas); missing children might lead to human trafficking;
kidnapping can be a reality which our protagonist could face if he/she got into
the wrong taxi, and so on. Of course, these extreme occurrences, might be said
to apply to the rest of the world in these days. There are dangers in the rest
of the world that did not exist when Nancy Drew was envisioned.
Perhaps the beauty of Nancy Drew is that she exists in a bubble
in time.
Perhaps all stories, are subjects of time, place and perceived
reality/fantasy. However, ours, if they are to be ours, must reflect aspects
of our culture/ environment. On this premise must rest our ability to write
mystery adventure/stories. Therefore, if we are going to write our own teenage
mysteries, what will we write? Will we write about the mystery of the pirate treasure? Too
predictable? Too much what you would
expect as an island mystery? Perhaps 'The mystery of the burning canfields'.
However from a sociological point of view, this cannot lead to the discovery of workers burning the fields so they can reap earlier
than expected. You see the problem I fear. Everything we might write about
carries either an identifiable real danger, not to be treated flippantly (for
example, in mysteries protagonists are always creeping out of their houses at
night to follow someone/spy on somebody - children are not allowed to do that
here), or bound by not making the bad guys be an identifiable group. So maybe
we shouldn't try.
Therefore Nancy Drew rules
forever?
But stop! Wait a minute. What if the
mystery/adventure involves someone trying to blame the workers on the sugar
estate, and the protagonist uncovers this dastardly plan. Who is doing this and why? Perhaps, it can be
done, guys.
You know, I had no idea that this post would come to
this conclusion. I was sure the writing of our own mystery/adventure series was
a lost cause, and now it seems it might not be. Come to think of it, I worked
with a group of ten-year-olds on writing of stories, and they could probably
write the plot for these mysteries (to be made more sophisticated for an older
audience) without getting stuck in all
my adult concerns. Hmm. And now I remember I wrote one called Much More Than Shells
for the under 12 age group, with smugglers, a hideout, an escape down a bluff
to the sea and a final rescue by the police. Would I write something like that
again? I don't know. Come to think of it, both Jean D'Costa and Hazel
Campbell have mystery/adventure stories also. So go ahead guys! Choose your hero heroine and start your
local/regional "Nikki Diamond Solves the Mystery of ..." or Brave Boys Mysteries,
or just join the conversation.
Then
all we'd have to do next is to convince the gatekeepers that being local stories,
they are not any more dangerous to the children than Nancy Drew and Hardy Boys.
Hi Ms. Browne,
ReplyDeleteI too, was raised devouring Nancy Drew books, and now realize that I wish I had had more books about Jamaican children (even though I didn't feel that way then). I am contemplating writing a research paper for a class I am taking on the Rhetoric of Childhood, ans was wondering if you would be able to tell me more about this topic. (I am unable to view your e-mail address because I don't use Outlook)